On the first of November, I belatedly got my “spooky” on, and went to a brilliant Halloween party at Hagglers Corner, a wonderful arts venue set around a courtyard. My friends’ band The Hot Diamond Aces were playing. The band combine funk with Afro-beat and jazz and are, as they describe themselves “the ultimate party band”. They are amazingly talented musicians with a gift for getting the audience’s feet moving. If you like infectious grooves and hot horns, then they’re your thing. This sounds like an advert, but they really are that good! We had a fantastic time, dancing and drinking real ale in our costumes. Angelina had particularly scary latex zombie make-up, but it all peeled off when she started dancing!
As the weather got colder, and the nights got darker, I managed to fulfil one of my artistic aims for the year and completed my triptych of three canvasses for my dining room wall. They are all collages, and all Neil Gaiman quotes, to inspire me as I live and work. Now the pictures are up on the wall, they look great and really make the room vibrant and arty.
The first collage is from the Sandman graphic novel Brief Lives , and it’s all about change. The quote, cut out of newspaper letters, ransom-note style (which took blooming ages!) is positioned around concentric circles made of gold wrapping paper and a green collage, made out of cut-out pictures from the RSBP’s magazine, Nature’s Home, including an otter (the otter isn’t green!), and a green lighter which was found in the stomach of an albatross! The other smaller canvas has the quote: “Writing is like flying in dreams”, from the front page of Neil Gaiman’s short story anthology Smoke and Mirrors. This canvas has pictures of birds, from Nature’s Home magazine, and also real feathers, gathered over the year.
Finally, the huge canvas has the slogan “Make good art“, which was the theme of Neil Gaiman’s speech to Philadelphia’s University of the Arts graduates when receiving his honorary doctorate in 2012. Since giving the speech, the video has become viral on the internet, and has also inspired a lot of beautiful artwork. Mine is just one example! Before I left my sensible 9-5 job and ever since, I have listened to the speech at regular intervals, and I’m listening to it right now. His advice and experience is priceless and reflects everything that I’ve been through as a creative person. I wanted to create a piece of art that would inspire me and cheer me up when I lost faith in my way of life, so I cut up festival programmes for images to remind me of the times when art and creativity have created the most thrilling experiences and memories. Life would not be worth living without the creativity of others – or your own creativity. And I’ve been lucky enough to build a new career out of creativity, which is truly amazing.
This November was also about seeing the Levellers twice as well! The first time was in Birmingham, en route to another gathering of Oxfam stewards in Tewksbury. Louise and I did battle with rush-hour traffic and the one-way system of Birmingham, and we only missed a few songs by support band, the legendary two-tone band, the Selector. Singer Pauline Black is full of attitude and sharply dressed, and the other singer, Arthur ‘Gaps’ Hendrickson was also very energetic – so much so that his suit was dripping wet by the end of the show! I enjoyed having a good skank, dancing around until Louise managed to find Fraser. Oxfam friend Alexa was also there, and it was a great mini-reunion.
The Levellers were on great form, blasting through their “Greatest Hits” set. The O2 in Birmingham was packed, and people were crowd-surfing to the front – mostly middle aged men, re-living their youth! We had a great view of everything from the side, right near the front, and we danced around being silly. I didn’t even mind that all I could drink was a couple of shandies.
After dropping Alexa safely off home, I drove Louise and Fraser to our log cabin weekend in Tewksbury! We got there safely, to find the others enjoying the end of their party, which for some reason involved Hawaiian shirts and grass skirts. I was exhausted though, after all that driving!
On Saturday morning, some of the others were busy having a watersports session on the lake, which involved a giant swan-shaped pedallo, canoes and a wind-surfer! I love doing things like that, but for once, I was pleased that I hadn’t signed up for watersports. Even though the participants were wearing wetsuits, it looked very cold. So Clare, Jez and I went for a short walk, and we were rewarded by finding a £10 note on the grass verge, which we took straight to the pub!
After a leisurely lunch, a group of us went for a wander around Tewkesbury and the Abbey. Tewkesbury Abbey was really special and spiritual – I don’t think anyone could help but to be moved by such an ancient, beautiful building. The atmosphere of the golden stone and soaring arches was enhanced by a rehearsal of the Elgar concert, A Dream of Gerontius. Wandering around with the sound of the instruments and voices reverberating around the Abbey was very moving, and as we sat in the pews to listen to the singing, I even wrote a couple of haiku poems. Susie Morley has the only copies of those, as I wrote them in her notebook!
Walking down the medieval streets in the twilight afterwards, I started to feel Christmassy, and the decorations were already up in the half-timbered pub where we stopped for a couple of ales, before heading back to our log cabins at Croft Farm. The staff there served us up a lovely meal, and then we had a brilliant disco, fighting it out using Spotify to choose the songs we wanted. We had a particularly stupid time dancing to “Ra Ra Rasputin”, pretending to do Russian dancing on chairs! Towards the end of the night, I even managed to put on some old goth songs!
On Sunday, we drove into Tewksbury again, and I bought an awesome Russian army greatcoat from an antique shop (I must have been subliminally influenced by “Ra Ra Rasputin”!) We had a lovely lunch at a big Wetherspoons pub, all the Oxfam volunteers sitting along a really long table we cobbled together from several little ones. Eventually, it was time to head for home.
The week afterwards, it was time to do the whole Levellers thing again, for Kirsty’s birthday! This time, we caught the whole thing, really enjoying The Selector. We got much closer to the front for the Levellers, and the Sheffield O2 seemed very busy but much less packed than the Birmingham gig, so we got a great view from the front, while still being able to comfortably dance around. The Levellers are a band that have a very close relationship with their fans – I think I’ve had conversations with all of them, and certainly camped in the same field with them at Beautiful Days. Being at a Levellers gig feels like being part of a big tribe – it felt like that when we were sixteen, and it still feels like being truly with kindred spirits, even twenty one years later.
I can’t take credit for these pictures – Kirsty took them, because she’s taller and has a steadier hand! I think she did a fine job.