The return of Reverend Rave Panda – a very Shambalic wedding!

The Wednesday before the August Bank Holiday. It was time for my last (perhaps) festival of the season. My last Oxfam festival anyway. The summer went so fast, and it’s been a lot of fun. There was still time to squeeze some more fun out of it though! And what better way to do that than Shambala – a festival where you can relax or rave, enjoy top-class live music, or spend the whole weekend weaving willow or carving a spoon!

When I arrived at Shambala, there was a big queue of stewards waiting for their wristbands. We had all registered our virtual ticket numbers on-line in advance, but there was a problem with the electric supply in the registration portacabins. Luckily, wasn’t a long wait, and was a good opportunity to catch up with people – some of whom I saw two days ago at Beautiful Days in Devon, but there were also some people I hadn’t seen for years, and some people who I was meeting for the first time.

It wasn’t not long until I was registered and ready to set up camp. The Oxfam stewards’ campsite was just next door to the car park, and I headed towards the big “Lazyland” event shelter to say hello to Gaelle and Graham and others, who were already relaxing underneath it. They had reserved a space for my bell-tent, and after a few trips to the car, everything was sorted and set-up.

It was time for our briefing again. I was quite pleased with my shifts and where I was working. We even had a talk from the lady who runs the accessibility camp site, where  I would be working,  and one of the main festival organisers popped along to say hello. Another lovely thing about Shambala is that our staff meal tickets can be used at absolutely any food stall around the site, which is a really lovely idea.

There was also a special announcement at the briefing. Long-term stewards Gavin and Carrie were getting married the week after Shambala in a very low-key ceremony. So Oxfam decided to put on a surprise “wedding rehearsal” for them on the Friday of Shambala. Apparently, a few weeks previously, Fraser had suggested it as an idea, and then he got landed with actually conducting the ceremony! But luckily, there were lots of people who were happy to help out and contribute ideas.

As the sun went down, the evening turned seriously freezing cold, but some people lit camp fires made out of washing machine drums. After a quick warm-up, we chatted under Lazyland, and then inside the awning of Kat and Martin’s campervan, until it was time for bed. I had a shift that started at 9.45am on Thursday – a fairly civilised time, but I needed some sleep.

Thursday morning was bright and sunny, and I managed to get a shower and have breakfast before the start of my shift. I seem to have been “typecast” at Shambala, as was down as the supervisor for the disabled/accessibility camp site and artist camping again, as I have been for the past two years. Not that I was complaining. It’s a wonderful place to work. The accessibility campers and the people in charge of running their field are always lovely, and one of our responsibilities on duty there is to make sure that the fire-pit keeps going all night, in case people need to get warm (what a terrible chore!), and there’s a small marquee where we can store our belongings. It’s also lots of fun to be working in artist camping, as all sorts of crazy walkabout performance art departs from the field into the public areas of the festival – a crazy fire-breathing mechanical horse, the Police Rave Unit,  a man pedalling a piano sideways as he’s playing it and lots of other things.

The start of the Thursday shift wasn’t so exciting though. The accessible camp site, and the artists’ car park and camping was just an empty field. We were already at work though, making sure that only people with staff, artist, or accessible camp site wristbands could get in there!

Gradually, our field started to fill up, and we helped some of the campers to put there tents up as the weather became more cold and windy as the afternoon wore on. The festival was gently cranking into action. When I went on my break, I had a quick look at the eclectic and quirky clothes stalls, grabbed a mock duck wrap from the Wide Awake Cafe, and even got to see a little bit of one of the first bands on, at Chai Wallahs, a large covered venue, which is the third largest at Shambala. The fact that I got to do all this in a half an hour lunch break gives you some idea of the scale of Shambala – it’s quite small, but there’s lots going on and lots of things to do, a far cry from corporate sponsored festivals.

At 6pm, our shifts finished. I headed back to camp. Before going out to enjoy the live music, my plan was to write a song for the wedding ceremony, and in about half an hour, a few of us had worked together and written something really lovely. I couldn’t wait to play it at the wedding.

By the time we arrived at Chai Wallahs, unfortunately, I’d just missed By the Rivers, but I really enjoyed The Magnus Pluto, who put on a brilliant show, combining ska-punk with hip-hop and electronica, and loads of energy. I can thoroughly recommend them. I was looking forward to Kate Tempest, but I was too far away from the front of the stage by then, and I couldn’t hear her lyrics properly, which is the whole point of having a poet, and I was chatting too much. We wandered around and explored the festival, going in and out of some of the many miniature and hidden venues. We found ourselves in one of my favourite places, around the fire in the meadow, and I found some people from Sheffield to chat to. There are still quite a few Sheffield people at Shambala, because when it first started fifteen years ago in Devon, some of the organisers were from Sheffield. That’s how we heard about the festival, from friends who had been to it, and had come back with some hazy tequila-infused memories!

Eventually, I stumbled into bed, but I was up, relatively bright and early. I was a bit annoyed that the showers I’d used the day before were now blocked off, and the showers next closest to our field had a massive queue. It wasn’t a big problem though, because the accessibility camping field didn’t have a very big queue, and it was nice to say hello to some of the campers I’d met the day before. When I returned, I persuaded Fraser to come to a Klezmer music workshop. It said in the programme that musical instruments would be useful, so I brought along my ukulele.

At first, I was the only other person with a musical instrument, apart from the workshop leader Anna Lowenstein, who played the violin beautifully, but then gradually, other musicians came to the workshop – and they were all far better than me! I didn’t want to let myself get intimidated though, and I was delighted to find out that even though what some of the others were playing along with the melody we were singing sounded complicated, in fact, I just had to strum two chords! Perfect! And when the musicians went into a klezmer jam at the end, I just got out my kazoo! It was great to learn about the history of the music too, and by the end of the session, it felt like a bit of my musical knowledge was coming back to me, understanding scales and different singing techniques, as well as just thrashing a few chords out. I love music, and I love playing and singing it. I think the reason why I stopped learning was because I was afraid of being rubbish and not understanding it. But that’s the whole point of learning, isn’t it?

I came away from the session singing the melodies we’d learned in the workshop. But after running through my song for the surprise wedding a few times, that tune had taken over instead. I wrote the chorus of the song on a whiteboard. Fraser had gone away to prepare the wedding ceremony. We tried to keep our preparations secret, but we were nearly rumbled by the groom, Gavin, when we were writing on the whiteboard. He didn’t seem to notice that anything unusual was happening.

As we entered the marquee that we’d borrowed from the other stewarding organisation, Green Stewards, it was a riot of bunting. Fraser had even borrowed champagne glasses from the bar (although there was no champagne!), and rigged up a PA system. The marquee was crowded with stewards who had come to celebrate with the happy couple, and the night-shift team had even designed and printed an order of service for the ceremony. I put my ukulele in the corner. Fraser, resplendent in his Rave Panda outfit, did a fantastic job, with wedding vows pulled out of a cardboard box, a cardboard cake, loom-band rings, a light-house shaped wedding certificate, and even official photographers. My song went down very well, and everyone joined in with the chorus. The happy couple were whisked off in the Oxfam buggy, but unfortunately, there was no honeymoon just yet, as Gavin had to start his shift at 3pm.

And I was due on shift at 4pm too. It was a pleasant shift, making sure that the stewards were happy in their various positions. The most exciting thing that happened was when several hot air balloons were inflated in the next field, and floated low across the camp sites and across the festival in the still evening air. There were lots of performers arriving to park up in the artists’ field, and we got to see the Rave police, stilt walkers, and fire-breathing robots set off from the field we were working in! We also had lots of lovely chats with the residents of the accessibility camp site. I even had a break and got to watch some of Public Service Broadcasting‘s set, which was very enjoyable. If you haven’t experienced them yet, they’re an instrumental duo who use samples from old newsreels and public information films in their music.

After my shift finished at midnight, there was still lots of entertainment on offer. I headed back to the tent to grab some cider. I watched a bit of the Hackney Colliery band in Chai Wallahs, who perform powerful brass renditions of funk and soul classics. They did a very good version of Adele’s Rolling in the Deep. But they had competition. Over in the Social Club, most of my friends were watching Smerin’s Anti-Social Club, another brass-driven outfit. Another legendary festival band I’ve always missed, but this time I saw them, and they were fantastic.Virtuoso musicians, with a real latin vibe, and definitely waiting all those years to see! The band were followed by an outrageous drag queen disco, courtesy of Sink the Pink, a drag super-group. It was brilliant fun. Finally, after a quiet chill-out around the dying embers of the fire in the meadow, the sky was starting to get light. In some ways, it was good to start my evening at midnight – it felt like I was a “dirty stop-out” when I was actually fairly fresh!

Saturdays at Shambala are special. It’s dressing up day. You can dress up every day at Shambala, but it was time for the “Seas of Shambala” theme, so I put on my pirate outfit! I went to the Klezmer workshop again, and really enjoyed myself, learning a new song and remembering the ones from yesterday, even though my voice wasn’t in its best shape after all of yesterday’s partying. We even did a bit of dancing! Then I had a spot of lunch, and hid from a rain shower while listening to an entertaining and thought-provoking talk by Ed Gillespie, who’s written a book about low carbon travel – because he actually circumnavigated the globe by using any mode of transport apart from aeroplanes.One of the great things about “The Emporium of Invaluable Insights” is that there was an artist drawing a cartoon of each talk, building up to a brilliant bill-board.

I met up with Fraser again, and we wandered around in the woods, enjoying a freshly-prepared calzone pizza and a cup of chai. The woods are full of art installations, and we were amused by trees which had hundreds of Trivial Pursuit cards stuck to them. We did quite well at answering the questions. As the afternoon wore on, more and more people appeared in fancy dress. There were some really elaborate outfits and costumes. We watched the fancy dress parade go past, and the amount of effort people had gone to was amazing.

At the main stage, we enjoyed Gentleman’s Dub Club, who are smartly-dressed and funky, a real party band, followed by current festival favourites, Slamboree, who describe themselves as “Pyro Circus Rave Massive”. That kind of sums it all up, really – they’re like a cabaret of different styles of music, from dub to electro-swing, accompanied by amazing circus acts, including fire juggling and acrobatics. Definitely a spectacle! It was amazing how quickly time was going, chatting, dancing and listening to the music, and I had time to watch the whole of the legendary Femi Kuti and the Positive Force before the start of my shift. Femi is the son of Fela Kuti, the Nigerian musician who invented the musical genre of Afrobeat, which combines funk, jazz and African rhythms. He put in a great performance, and the Afrobeat dancing ladies certainly had a few guys’ eyes out on stalks.

It was time to start my final shift, and I went back to the tent to put on a few warmer layers and grab a few snacks. It was a fun, lively shift, with lots of revellers still up, and the enviable position of being able to sit around the accessible camp site fire, chatting to the campers. Things were steady, but pretty peaceful, and as dawn broke, we were treated to more hot air balloons setting off over our heads. I felt quite emotional as I swapped my tabard for Oxfam badge, which said “Shambala, Glitterati Party”, because this was my final Oxfam shift of the year. Time for bed before my final day of partying.

Sunday got off to a gentle start with the annual Shambala poetry slam in Chai Wallahs, which started off with special guest performances from Wordlife Sheffield, amongst others. It was fantastic to sit down and enjoy a great show. The poetry slam contestants all did really well, and one of them was my old festival friend Harry Squatter, which was a brilliant surprise. The audience was huge. I wonder if I dare to enter the poetry slam next year?

Over the course of the weekend, I was thrilled to find out that one of the accessibility field campers is actually a writer and performer who was recently featured on BBC Radio 4’s Woman’s Hour, a lady with Tourettes who helped to run a group for young people with the syndrome. It was moving and inspiring, and just a little bit naughty to listen to the occasional swear word at 10am on Women’s Hour. I wanted to see Jessica Thom aka Tourettes Hero perform together with Captain Hotknives. It was a brilliant performance. Tourettes Superhero is on a mission to reclaim this misunderstood syndrome, and she does so with a surreal sense of humour derived from her tics, such as “biscuit” and “hedgehog”, and they sung songs about “Bob the Amazing Sheepdog” and animal sex and ending with biscuits being thrown into the audience at high speed. I think you had to be there, but check out the website above for a taste of it. My stomach was hurting from laughing so much, and the duo received a standing ovation at the end of the show. What I really admired about the show that it was about the performers being themselves (albeit one of them was dressed as a superhero) and enjoying themselves. Just a few simple chords and a great sense of humour and a large marque was packed to the gills. There were lots of amazing musicians at Shambala, but sometimes, talent doesn’t mean being able to play a fancy solo or sing in several octaves.

A quick change of clothes into evening-friendly layers, and I headed back into the festival. We relaxed in the 1920s themed Swingamajig tent for a bit, which was fairly quiet, and then we headed into the Kamikaze marquee for My Panda Shall Fly, abstract electronic soundscapes, which sounded immense. Fraser felt quite under-dressed as he wasn’t wearing his Rave Panda outfit for once, whereas the DJ/sound artist was wearing his panda outfit with pride. We then explored some of the secret disco areas for a while, clambering through a caravan to get into the hidden funk disco at Shambarber (actual hairdressers shop by day, disco by night). I was keen to watch Mulatu Astatke, the final act on the main stage, the founder of Ethio-jazz (Ethiopian Jazz). It was a bit slow at first, but built into a mesmerising performance.

The music wasn’t finished yet though, as I was keen to enjoy a bit of Manchester techno legend A Guy Called Gerald in the Kamikaze marquee, followed by Zion Train and Batida in Chai Wallahs. Batida perform electronic and live music, combining samples from old 1970s Angolan tracks with spacey samples and Kuduru beats. Kuduru is the African dancing I do in my friend Angelina Abel’s dance class in Sheffield, Mulembas D’Africa, so I had a good dance, right at the front of the audience, and got a free whistle! The trouble was, it all went so fast! We weren’t quite ready to go to bed yet, even though it had started to rain. We quickly checked out the Ska bar in the woods, before we got kicked out because it was closing, and caught the end of the disco in the Wandering Word yurt, before everything finished. My friends were still keen to find some entertainment somewhere, but I was exhausted! It felt like I’d squeezed the maximum amount of fun out of Shambala.

I wasn’t in such a festive mood when I woke up in my tent on Monday morning to the sound of the steady rain, coming down with a cold. Bank Holiday Monday was a terrible festival come-down, cold, with constant rain, but despite the gloom of the weather, I left Shambala with lots of happy memories and experiences. I’m looking forward to doing it all again next year!

 

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Glastonbury – the epic 11 day mission!

 

This isn’t going to be the average sort of Glastonbury review that concentrates on the headline bands at the Pyramid stage and nothing else. This blog entry is rather epic, but it’s probably going to be my longest blog of the year, so bear with me.

I’m going to try to show you parts of Glastonbury you haven’t seen before. This was my 20th anniversary of going to Glastonbury festival – and festivals in general. Glastonbury is a behemoth of a festival. There’s nothing like it in the world. It’s a crazy concept really – a quarter of a million people (roughly 150,000 ticket-holders and 70,000 workers) descend on a dairy farm in a small Somerset village which has turned into the biggest festival in the world. After two years of being away, the sight of Glastonbury festival, filling up an entire valley, can still be breathtaking.

I’ve just used this programme and I’ve discovered that Glastonbury festival is almost exactly the same size as the whole of Sheffield’s city centre http://howbigreally.com/dimension/festivals_and_specticles/glastonbury#S1_2HH

I arrived in the Oxfam field with my friend Fraser on the afternoon of Saturday 22nd June. We were both volunteering for Oxfam as stewards, but Fraser was on the early shift, meaning that all his shifts would be over by the time the public were admitted to the festival on Wednesday – whereas mine didn’t start until then. For me, it was a great opportunity to be there early, relax with friends and treat it as a holiday.

The weather on the first two days wasn’t great. Driving down, the car was buffeted by really strong winds and it was a struggle to keep control. We stopped for lunch in Tewkesbury and wandered around the Abbey, then drove down the M5, past Glastonbury town and the tor (and the Clarks shoe village in Street), finally arriving in our Oxfam field (Oxfield), just outside the perimeter of the festival. Oxfam are now the biggest agency providing staff for the festival and there are over 2,000 people camping in our field, all Oxfam volunteers and staff. I’ve been to some festivals that have been smaller than that in total. There were already lots of familiar faces there, and we found space near some friends’ tents. Oxfam stewarding is such a great social network that for the whole festival, it takes a long time to get a shower (yes there are showers!!! That’s the long marquee to the left in the aerial photo above), food, go the loo or get a cup of tea without saying hello to about five different people at least.

On Sunday, it was still windy and I didn’t have my wristband yet, as I wasn’t working on the early shift. There was a choice of either getting drunk in the Oxfield or doing something productive! I discovered that a friend called Holly had never been to Glastonbury town and didn’t know about the Tor. After a short drive, we we battling tremendous winds, struggling up the side of the Tor. It was so windy at the top that we could lean right back and the wind kept us upright. After nearly being blown away, we sauntered around the hippie shops of Glastonbury town and did some charity shopping.

Monday was my first chance to explore the festival site this year, which I did with my friend Dave. We were looking for the codes clues for the Oxfam stewards treasure hunt, which had been organised voluntarily – with great prizes – by two stewards. It was a lovely sunny day and the empty stages and camping fields were pristine. There was still a lot of work going on – marquees, stages and signs being erected, decorations going up. You realise how much effort and attention to detail goes into the festival. It’s not just a flagpole – it’s a hand-painted flagpole with a uniquely decorated flag. Each bin, made out of a recycled metal drum, is painted imaginatively by an army of volunteers who are onside for weeks. I love watching the build-up to a festival, Glastonbury in particular, as there’s so much going on.

One of the highlights of Monday night was actually meeting Michael Eavis, the farmer who owns most of the land where the festival is held. We were admiring Bella’s Bridge, a footbridge built as a tribute to Arabella Churchill (the granddaughter of Winston Churchill), who became one of the festival’s main organisers, when Michael Eavis loomed out of the darkness and said “I’m glad you like my bridge!” We were all a bit surprised but we had a lovely chat to Michael, who seems to really like Oxfam stewards.

By Tuesday, all of the stewards had arrived, many of them in several coach-loads from Bristol. I finally had to start thinking about work. I wasn’t starting work until 4.45am on Thursday – an eight hour shift as Team Leader on a pedestrian gate leading to the campervan field on the opposite side of the site. We had a supervisors training session in the cinema tent on site, which is more Oxfam supervisors than I’d ever seen in one place before! We also had a one-hour briefing back in the Oxfield marquee, which was fairly entertaining and stressed the point of how important Oxfam stewards are. We’re on every gate into the site. It’s our job to make sure that people without tickets don’t get in! With back-up from security, of course, but if we get it wrong, the whole festival could be in jeopardy. A scary thought!

That evening, we had a special party to celebrate an Oxfam steward who sadly died of a heart condition earlier this year. Chris Light (fondly remembered by the Oxfam Stewards’ Forum users as Sergeant Howie), was a wonderful, gentle man and a brilliant photographer. He also wrote a novella about Oxfam stewarding at Glastonbury, The Gate, which I’ve just downloaded for free from Lulu.com! We drank a specially invented cocktail in his honour, called “The Shaft of Light”, which had glowsticks and edible glitter. We also drank to Mickie the Pixie, another Oxfam steward who died this year after an illness. He was one of the first Oxfam stewards I ever worked with, wearing a cardboard box that said “free hugs” on it. And he was the supervisor! Both of them are sadly missed.

Wednesday was lovely, although a little hard to get used to the sheer numbers of people on site, after a few days of blissfully relaxing, emptyish fields. We met up with more friends and had an epic wander round the festival site, to orientate a friend who hadn’t been before. He was surprised at the size, but he loved it. There was time for a quick pint of cider at the legendary cider bus before heading back to the Oxfield for an early night! My alarm clock was set for 3.30am. If I didn’t manage to catch the minibus from our field, it was going to be an hour’s walk to the Campervans West gate.

Luckily, the minibus did come to collect us. I had a lovely first shift, struggling to remember the names of the sixteen lovely people I was working with, apart from my deputy supervisor who was also called Anne (but without the “e”). The early dawn soon turned into a hot day, with a queue of people waiting good-naturedly to get into the festival. At this gate, people had to keep hold of their ticket and get a “pass-out” whenever they went back to their campervans. On the Thursday morning, most people were quite well organised, but by Friday night, people started losing their partners, tickets, passouts and marbles, which made things a bit more difficult. I walked back from my first shift in the heat, managing to get a few more vital clues for the treasure hunt and getting back just in time to enter the competition!

Unfortunately, it started raining immediately after I got back to the field. That meant that the traditional Oxfam stewards Thursday afternoon meet-up at the cider bus was rather damp, everyone huddling in cagoules and under umbrellas. We stuck it out and drank a few pints of cider though! A large group of Oxfam stewards decided to wander somewhere else, where we could dance. A brilliant decision was made to go to the Hell stage in the Shangri-la area of the site. We were damp but ready to party. We had a fantastic time watching Slamboree, a band combining, rave, hip-hop, folk and circus. Then we stumbled to the Avalon Cafe to see 3 Daft Monkeys, mainstays of the festival circuit. After that, I danced in the Rock ‘n’Roll diner at Shangri-La until 5am, where actual real rock ‘n’ roll was being played, including some rare rockabilly classics such as “Barking up the Wrong Tree” by Don Woody.

On Friday, I felt rather rough! I dropped a heavy bag full of jumpers, my tabard and snacks for my night-shift off at Campervans West, which almost killed me. En route though, I was entertained by the L.B.W. Outside Broadcast unit, gently commentating on the goings on on the theatre fields. Then I went to see hotly tipped indie band Peace at the John Peel stage. There was a massive crowd and they were excellent, but the singer must have been very hot, wearing a pair of white decorators’ dungarees and a thick seventies sparkly jumper! I started to feel a better when I had a long sit-down in the cabaret tent with my friend Clare. The sight of compere Arthur Smith is always reassuring, and 4 Pouffs and a Piano were hilarious – and very rude!

Before my shift I went to see the legendary Dinosaur Junior in the Park, the boutique-festival style area of the festival nearest to my gate. In case you haven’t heard of them, they are a legendary alternative rock / grunge band. It was great to see them, despite the mostly blank faces of my Oxfam colleagues when I told them about the gig! I swapped some lovely text messages with a friend who loves Dinosaur Junior but couldn’t come to Glastonbury. The nightshift went very well – the gate was busy all the time with people coming home in various states of disrepair, and there were several relationship crisis where the husband was lost and drunk and their wife had the ticket to get back into the campervan field. It was pretty amazing that we managed to sort out most of the problems – that is, if the drunk lost people actually turned up! Some of them are possibly still missing in action.

Although I hadn’t been to sleep until nearly 6am on Saturday morning, I woke up feeling relatively refreshed (due to the lack of alcohol may have helped). I headed off on my own at 11.30am to see Rokia Traore, a singer and guitarist from Mali who was opening the Pyramid stage for the day. I was determined to pack as much music as possible into my day off! The main Pyramid Stage was starting off with a Malian artist on each day, to highlight the strife in the country due to Islamist groups starting a civil war, with hundreds of thousands of people displaced and the rich musical heritage of the country under threat by fundamentalists who want to ban music. I’d seen Rokia Traore before at WOMAD. I was running a bit late, but luckily, so was the Pyramid stage, so I was able to catch more of her joyful set, while I made friends with two lads who hadn’t gone to bed yet! We stayed firm friends for Billy Bragg’s set too, until Billy played “a lullabye for people who hadn’t been to sleep yet” and they took the hint to hit the hay! The power of suggestion! Billy Bragg was on top form. As Britain’s top left-wing singer-songwriter, he can sometimes get on his political soapbox a bit too much, but we all had a cheer at the demise of Margaret Thatcher and enjoyed his new Country and Western leanings! I was joined by friends for Laura Mvula but we were all sitting down by this point, conserving our energy in the hot sunshine.

We headed over to The Strypes on the John Peel stage next. This Irish band are still in their teens but are tipped as “the next big thing”. They’re a straight-up 60s style R&B band – a bit like the very early Rolling Stones. They play a few covers but their own songs, notably “Blue Collar Jane” are full of energy. I was bopping away near the front of the stage, but people at the John Peel stage don’t seem to like dancing – they take it all a bit too seriously! After that, Clare was hunting for some Drum ‘n’ Bass, but I headed off towards the West Holts stage. En route, I had a meal in one of the hidden gems of Glastonbury: a vegan cafe in the Permaculture Garden, between the Green Fields and the old railway track, one of the main thoroughfares of the festival. It was time for my peak day-time rave moment with The Orb, an electronic band I’d first seen twenty years ago at Glastonbury. We had been too close to the front to see the massive laser show, which was “totally amazing, man!” according to anyone who’d been at the back of the field. This time, the Orb were playing with Ghanaian master drummers Kakatsitsi and it was an absolutely mesmerising performance, enjoyed by having a good dance with lots of other old ravers! I then popped over to the Avalon stage to check out the Urban Voodoo Machine, who were brilliant – sleazy rock ‘n’ roll with a gypsy punk edge – just my sort of thing. Heading back to West Holts, I caught the end of Maverick Sabre before meeting up with some friends for the next act, Major Lazer, which had been recommended to me by my stewards. It was great fun, but as it hopped between dubstep, dancehall and more other dance genres than I could keep track of, it was all a bit giddy! Music for people with short attention spans!

The next band I saw was a controversial move. I decided to see Public Enemy, rather than the Rolling Stones. This was for several reasons: I like to swim against the tide some of the time; I knew it would be rammed at the Pyramid Stage; I knew I could watch the Rolling Stones’ set on the TV or on the internet later on; and I was just curious really! I know the most famous songs by Public Enemy and it was a chance to see another legend, at closer quarters than I’d be likely to be seeing Mick and Co. We were right on the front barrier, although there did seem to be a massive crowd. Chuck D was the coolest man in the world and really engaged with the audience. In my ignorance, I hadn’t realised that Public Enemy would have a live band. Their guitarist in particular was amazing and the set really blew me away (man!). I parted company with my friend John after Public Enemy to see something a bit different – Hobo Jones and the Junkyard Dogs; a favourite band from Bearded Theory and Beautiful Days. Basically, a punk skiffle band who are hilariously funny. What’s not to like? While I was there, I met a friend from Bearded Theory. We headed to Bez’s Funhouse in the Shangri-La area and re-lived the Hacienda glory days for a few hours. At 4am, my friend left, in time to start his recycling shift bright and early at 6am, and I was adopted by a group of gay guys who took me to Glastonbury’s only dedicated gay venue, the NYC Downlow – a re-creation of a New York gay club in a specially built half-ruined tenement block. It was great fun, but eventually, I staggered home to the Oxfield! What an adventure of a day!

On Sunday morning, I had a sauna in the Greenfields, followed by a cooked breakfast, before heading to my shift at 1pm (I was a few minutes late as I’d miscalculated the amount of time I needed to eat my breakfast!) The Sunday afternoon shift was a much more laid-back affair. People were coming in dribs and drabs from the campervan fields, and back again. Soon after I started my shift, we had a “runner” – a young man sauntered through the gate and when one of the stewards questioned him, he sprinted out into the camping field. The bored security staff followed him at a lightning pace, but the chase came to a swift end when the miscreant tripped over a guyrope. He was brought back by security to cheers from the stewards and comments like “nice try, pal”, “epic fail” and “try getting a ticket next time”. The sprinter still seemed quite pleased with himself though! We whiled away the hours playing an increasingly cryptic version of I-Spy and wondering when the tea van was going to get round to us (it didn’t!) At eight o’clock, we were instructed to hand the running of the gate over to security. We got a lift back to the Oxfield for 9pm and my stewards were very happy to have finish an hour early (we’d been told that we were being re-deployed, but this was a clever ruse by our steward control, Oxbox!)

I changed my shoes, put on a tutu, grabbed some cider and headed to the Sprit of ’71 stage, to meet Fraser and various other friends to see System 7 and Eat Static and finish the weekend with some techno raving of the highest degree. The lights and visual projections were completely mesmerising and after a few glasses of Westons’ cider, I was well into the spirit of things. Afterwards, we had a wander around the dance village and then headed to the Park to the Bimble Inn, which is a pub venue inside an elongated tipi. Unfortunately, one of the friends we met there was ill (not self-inflicted but through injury) and a group of us walked her to one of the pedestrian gates, very slowly, until the Oxfam minibus could pick her up. It was dawn by the time we returned to the Oxfield but we stayed and watched the sun come up for a while, revealing the view of the crowds still partying in the Stone Circle field.

Monday was a much gentler pace. I had the biggest cooked breakfast of my life from our own caterers, the excellent Nuts. Once that had gone down, it was time to head out on site to see what the hoards had left behind. This activity is called “tatting“. Despite the “love the farm, leave no trace” campaign, thousands of people still leave tents, chairs, camping equipment and general rubbish behind. Of course, there are teams of litter-pickers dealing with the carnage, taking weeks to painstakingly return the site back to pristine condition, but their job would be a lot easier if everyone packed their stuff away and threw their rubbish in the bin. The site did look a little clearer this year, but it wasn’t a lot better in the busiest camping fields near the Pyramid Stage. It’s surprising what people do leave behind. We collected: a brand-new Eurohike tent in perfect condition, about 20 cans of Kopparburg cider, a lovely wicker basket, a picnic blanket, a designer shopper bag, a kettle, a Romany flag – and a mystery flag that looks like it might be an African country amongst lots of other things. Basically, you can just go out there with a shopping list, and find what you want, as long as camping gear and cans of cider are on your agenda. Later on, Fraser and I went to wave goodbye to our friend Clare, who’s going to be travelling the world for six months, as she was getting a lift in John and Suzie’s campervan. We went to see some friends backstage in the acoustic field, and ended up chatting to their neighbours for five hours and having an impromptu barbecue!

Tuesday morning was dull and grey, and time to pack up. Fraser and I had lunch at the Garden Cafe in the delightful town of Frome, where all the residents seemed to have been at the festival, exploring the town and then heading home through the Cotswolds. We took a wrong turning and found a charming village called Barnsley, which we thought was hilarious as it was very different from the Barnsley in South Yorkshire, so we stopped for a drink in the very posh pub. We couldn’t put it off much longer though, it was time to return home, and it was lovely to come home to my partner, solid walls and modern conveniences. At least I wasn’t stuck in an office the next day, and I’m determined to make a success of my free-range life so that I can enjoy many more Glastonbury festivals in the future. One day I’ll be ready for free-range working all summer from a perfectly fitted-out campervan!

Main Links:

The Official Glastonbury Website

BBC Glastonbury Website

http://www.vice.com/en_uk/read/a-big-weekend-out-at-glastonbury I enjoyed this review, particularly the bit about the stewards – which is exactly what Oxfam Stewards are, really! People who love festivals and want to help other people to love them.

Things this blog is about…